视频简介
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。娜洁(卡曼妮·耶美肯 Khemanit Jamikorn 饰)是电视导购公司的营销总监,在竞争激烈极强的这一行里,娜洁必须保持冷硬的内心才可以抵抗强大的压力。当娜洁将全部的经历都投入到了工作中来保证自己不被淘汰的同时,她自然忽略的感情生活。33岁的她经历过好几段失败的恋情,这些失败带给了娜洁内心巨大的伤害,导致她封闭了内心,再也不愿意以真心示人。 这一天,娜洁的义弟托福(提迪蓬·德查阿派坤 Thitipoom Techaapaikhun 饰)在离开了十七年后,以青年作曲家的身份再度回到了她的身边。对于娜洁来说,托福还是当年那个不谙世事的小弟弟,但是托福却想要通过爱来治愈娜洁的心灵。。
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